So that I would be loved: a conversation with Lyndsey Bourne
so much of how I felt about my body, so much of how I felt about like girlhood as a collective, everything that I felt about femaleness, came from the choir room
All posts by Kate Dakota Kremer
“Could someone else be me?”: the Marvelous Theatrics of Cherry Lou Sy’s Possessed is a Verb
The act of appropriation at the core of the theatrical encounter becomes, in Sy’s hands, a metaphor for and means of exploring other appropriative encounters and the difficult entanglement, in each, of empathy and violence.
A Radical Tenderness: Corinne Donly’s Wood Calls Out to Wood
In Donly’s theater of gentleness and Bosch’s garden of delight, we are granted a vision of the world in which disagreement is not the harbinger of the end of love but the engine of love’s continuance.
What’s YOUR Problem? – A response to Lisa Clair’s “deep space lounge act” at the Wild Project
Over the course of What’s YOUR Problem?, Clair elegantly applies the metaphor of alien invasion to her illness, illuminating the workings of an autoimmune disorder through a series of vital images and soundscapes.