Alyssa Alpine

Mirror, Mirror on the Wall…

Marius von Mayenburg’s dark comedy “The Ugly One” at SoHo Rep mines the incestuous relationship between good looks and power.

From inanimate to animate: what makes an object more than a bit player in performance?

“Samuel & Alasdair,” by up-and-coming theater collective The Mad Ones, more than holds its own in this theater-drenched month.

Alyssa Alpine on Nichole Canuso Dance’s “TAKES” at 3LD

With four plays here in four years, Irish playwright Enda Walsh is getting to be a regular in New York.

Alyssa Alpine talks with ERS’s director about “The Select,” which just opened at NYTW and plays through early October

Pavel Zustiak’s “Amidst,” at Baryshnikov Arts Center this past weekend, isn’t guilty of obscure titling.

SITI’s new show has all the strengths you expect from Bogart & co., but it doesn’t quite manage the punch you’d want

Five reasons to catch this show on its third (and perhaps last) tour of duty.

Frantic Assembly and the National Theatre of Scotland’s “Beautiful Burnout” doesn’t have the stuff to make it for ten rounds

Ari Fliakos talks about how he became involved with the Wooster Group, playing Tennessee Williams’ alter-ego in “Vieux Carre,” and more

Alyssa Alpine previews Verdensteatret at DTW.