YERMA Turns Audio Operatic – Aron Canter responds
Her quizzers and yelps, the need of her sound, the holes in her anger revealed through the unsteady rocking of her delivery, created the tapestry that was her performance.
Her quizzers and yelps, the need of her sound, the holes in her anger revealed through the unsteady rocking of her delivery, created the tapestry that was her performance.
The objects could be anything generative, and Heather’s choices are varied, sophisticated, heartfelt, and a fascinating insight into what interests this artist.
The anxiety vortex of What Makes Us Feel Good shoots one into the black hole of anxiousness.
We engulf and tangle with a political idea in a different way than how we listen and respond to a play.
Not long after the new Whitney opened in 2015, the museum exhibited an all-star lineup of abstract expressionists on their seventh floor, where they show their permanent collection. On the money wall — the final north facing wall before the windows and doors to the