Author: Audrey Moyce
-
The Process Matters: a response to CAKE, a journey of fluid and frosting
Leopard slugs, and CAKE as a whole, provides a reminder to all of us that the romance-as-happy-ending thing is an odd societal compulsion, perhaps even an obsolete one
-
The rigged games of NO PLACE
Watching the three Players go through an elaborate and very tightly regulated game for citizenship to “The Promised Land,” the dot game would have been more than enough to create a natural tension between the players, with which to fuel their antagonism, and eventual alliances, secrets, and betrayals.
-
Paul Swan is Dead & Gone
A composite of quite ordinary gestures that combine to make something novel, much in the way the entire play uses old poses in service of a show much more than an aesthetic or expressionistic dance.
-
In Response to Celine’s MAGNUM OPUS
I will not say “I’ve grown up” since then, because truly I see this acceptance of paid monotony as a bit of my idealism seeping out. A necessary bloodletting, at long last, giving up my mulishness in favor of a little ability to tame the storm that was my inner mind each day and each…
-
The Neck and The Neutral
When it comes to representation, the question of whose vantage point is accepted as the default. Whose story reads as universal?
-
Mia Barron on THE WHITE ALBUM
I’ve found it terrifying at times, and surprised about how different it has felt for me. But it’s brought a deeper sort of pleasure, not least of which is that I am so proud of what we’re doing.
-
Five Questions with Annika Vestel
I like to provoke an internal movement in the audience, something where their inner life or fantasy is activated.
-
Singlet’s Whole World: Audrey Moyce Responds
Though their insular world went weird, and quickly, I was there, because they were there. Davis and Markey have the attunement to one another that only comes from a sustained exposure to the other’s way of standing, talking, moving, being-in-the-world.
-
SEAGULLMACHINE: Less Hiccup, More Smash?
When I hear that two pieces have been “smashed together,” I make certain assumptions. If I read “conceived by” or “created by the ensemble,” I expect a piece so thoroughly […]
-
Moth&Flame: Audrey Moyce Responds
Suggestions of timeless spaces, Miss-Julie-ish rage, and as I knew from the program, taking up issues of sexual violence.
-
Symphonie Fantastique’s 20th Anniversary
“Nothing happening,” I wrote in a heavy slant down the page, “but I can’t look away.”
-
AT HOME WITH THE HUMORLESS BASTARD
Wilson says to the container, “Well fuck you,” then to us, “Get ready to run if this explodes, I guess.”