What happens when you remove the safety of a theatre seat and the knowledge of who is audience and who is actor?
Problematizing The Wooster Group’s CRY, TROJANS!
Artist or Activist? Must we only pick one?
“is the fight really worth it?”
Hannah Wolf interviews Simón Adinia Hanukai about his piece THE FALL, which examines the fall of the Berlin Wall in 1989.
Hannah Wolf discusses En Garde Arts/BAM’s BASETRACK LIVE, which put civilians and military into a room together to engage.
Hannah Wolf on Prelude