Author: Jenna Clark Embrey
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WHERE THE LIGHT FALLS: The Performance of Reaction in Branden Jacobs-Jenkins’ An Octoroon
“This begs the question: when the audience let out their sorry sound, were we reacting? Or was it the performance of an apology?”
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Telling the Simple Sound: Storytelling and artifice in Send for the Million Men
Jenna Clark Embrey responds to HARP artist Joseph Silovsky’s Send for the Million Men at HERE Arts Center