Author: Julie Potter
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Realness Roundup: Super Sonic
American Realness on Friday featured Jeanine Durning, Faye Driscoll, Tony Rizzi and Miguel Gutierrez all pushing in their own ways. I want to crawl inside Durning’s head after experiencing her impressive nonstop speaking improvisation inging, which seems to emerge from lines of reasoning, free association and in response to her physical relationship to the people…
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Realness Roundup: Consent and Collision
A Sunday marathon at American Realness instigated thoughts about consent, the public sphere and collisions among artists. The refined schedule and pace of Ben Pryor’s festival feels welcomingly more spacious and navigable than last year. Spending the day with Jack Ferver, Maria Hassabi, Keith Hennessey’s crew, AUNTS and the Bureau for the Future of Choreography,…
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Good Circulation: Grassroots Exchange Connecting Communities of Practice
Julie Potter explores festivals and DIY exchange networks for connecting communities of practice.
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“Turbulence” Remixed at the YBCA
Our SF correspondent tackles Keith Hennessy’s latest, which opened last night in New York
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On Failure and Fake Healing: An Interview With Keith Hennessy
“Turbulence,” developed in Portland and Seattle, opens today in SF and makes its way to NYC next week
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Realness Roundup: “Me, Michelle,” “Tool Is Loot,” and “Fountain”
CBOT special contributor Julie Potter tackles Jack Ferver, Wally Cardona, and Jeremy Wade at American Realness
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Realness Roundup: Trash Is Fierce, Unreal, Zombie Aporia and (M)imosa
CBOT’s first report from this year’s American Realness festival
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“World of Wires” at The Kitchen: An Interview With Jay Scheib
The director discusses his new multimedia work, based on Rainer Werner Fassbinder’s TV show