Author: Ned Moore
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Tying Tongues and Opening Hearts in Yilong Liu’s JUNE IS THE FIRST FALL
Yilong Liu is a Chinese-born playwright who writes plays in English. Michael Leibenluft is an Obie-winning, American-born director who directs in Chinese. Together, they’ve been working on the New York premiere of Liu’s play, June is the First Fall in a production by Yangtze Repertory Theatre of America now playing at The New Ohio. We…
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Five Questions with Lucy Powis
So you’re a dramaturg. What inspired you to pursue dramaturgy? I discovered it while I was in undergrad as a devised theatre major. At that point, I was a bit of a generalist, as we were encouraged to be—I’d done some acting, directing, writing, stage managing, you name it, and enjoyed them all but didn’t…
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Five Questions with Tamara Sevunts
Tamara Sevunts is a Canadian-Armenian actress, originally from Montreal and now based in NYC. A graduate of the American Academy of Dramatic Arts, she is fluent in six languages. Off-Broadway credits include: “Your Alice” (BAM), “Daybreak” (Beckett Theatre), “The Good Girl” (59E59 Theatres) and “Loose Canon” (SoHo Playhouse). Regional credits include: Feste in “Twelfth Night”,…
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Five Questions: Anchuli Felicia King
Anchuli Felicia King is a multidisciplinary artist of Thai-Australian descent who works primarily in live theater.
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NUMB: a history of painlessness
Our work tends to look back to look forward.
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The Unrelenting Grip of Ellen McLaughlin’s THE TROJAN WOMEN
Haley’s production fully commits to its fearless examination of the monstrosities of war, and offers an in-your-face look at the suffering women are subjected to on behalf of men.
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SWEAT & TEARS at JACK
Call me a sap, but the idea that theatre can be a vehicle for magic enchants me whenever I’m watching a good play. That is, until the fight scene happens… Where is that slap sound coming from? Was that supposed to be a head-butt? What’s with all the egregious grunting? Is that blood made of…