Month: March 2011
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10 Minutes With Vanessa Anspaugh
The latest installment on our ongoing coverage of DTW’s Studio Series
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Contemporary Performance From the Balkans Comes to NYC
Zvonimir Dobrovic, the founder and curator of Queer Zagreb and the Perforacije (Perforations) Festival, on ha
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The Digest: March 9, 2011
Isaac Butler on narrative, Belarus Free Theater returns to New York, Fusebox Fest announces line-up, and a dance critic admits she can be shallow (and feels terrible for it)
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Is There Anything That More Clearly Speaks to the Gulf Between Ballet and Modern?
A brief reflection on tattooed dancers, Martha Graham in drag, and ballet as the idealization of the feminine form
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Just Because Someone Asked…Edouard Lock/Lalala Human Step’s “Amelia”
An email, a Facebook inquiry, a 2002 contemporary ballet film
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A Weekend at St. Mark’s
Food and puppet performance at Incubator Arts followed by Arturo Vidich helping to close out “Body Madness: Absurdity & Wit” at Danspace
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“Beautiful Burnout” at St. Ann’s Warehouse
Frantic Assembly and the National Theatre of Scotland’s “Beautiful Burnout” doesn’t have the stuff to make it for ten rounds
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The Rude Mechs’ “The Method Gun” at DTW
Don’t miss this show.
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John Kelly in Concert at The Armory on Park
Legendary performance artist performs a benefit concert at the Armory on Park, Thursday, March 10, 2011 at 8:00pm.
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“Body Madness” at Danspace is Halfway Through and Going Strong
A discussion of the Platform series, including reviews of Miguel Gutierrez, Cori Olinghouse, et al., with reference to the fiction of Douglas Coupland, pools of swimming rats, and the booze consumption of CBOT contributors