Month: September 2012
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Gérald Kurdian on “The Magic of Spectacular Theater”
A pop deconstructionist explores the spectacle of pop music and the virtual body at Crossing the Line
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Lucien Zayan on the Birth of the Invisible Dog Arts Center
The improbable story of how a French theater producer gave it all up to turn an old Brooklyn factory into one of New York’s leading contemporary art spaces
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Talking “HotBox” with Brian Rogers and Madeline Best
A collaboration with Madeline Best, it opens this Thursday at The Chocolate Factory as part of Crossing the Line
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Languaging with CHERYL about free mobile dance parties
“already we have had a LOT of interest in the mobile dance parties from the over-50-mom/grandmom set.”
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Pig Iron’s Dan Rothenberg Talks About “Zero Cost House,” a Collaboration With Toshiki Okada
Opening this month at the Phiadelphia Live Arts Festival
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Lili Chopra, Simon Dove & Gideon Lester Discuss This Year’s Crossing the Line Festival
The three curators share their thoughts on this year’s artists as well as their future vision of festival both presenting and supporting the creation of new transdisciplinary work
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The Culturebot Guide to “Einstein On The Beach”
CULTUREBOT infiltrates EINSTEIN to retrieve an insider’s guide on how best to enjoy this legendary, but daunting, work.
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Re-Framing The Critic for the 21st Century: Dramaturgy, Advocacy and Engagement
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.
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Iver Findlay talks about “fractured bones/let’s get lost” at Performing Garage
An interview with Iver Findlay about “fractured bones/ let’s get lost,” a new work from Findlay//Sandsmark in collaboration with Eric Dyer of Radiohole and video game modder Victor E. Morales