Gérald Kurdian on “The Magic of Spectacular Theater”
A pop deconstructionist explores the spectacle of pop music and the virtual body at Crossing the Line
A pop deconstructionist explores the spectacle of pop music and the virtual body at Crossing the Line
The improbable story of how a French theater producer gave it all up to turn an old Brooklyn factory into one of New York’s leading contemporary art spaces
A collaboration with Madeline Best, it opens this Thursday at The Chocolate Factory as part of Crossing the Line
“already we have had a LOT of interest in the mobile dance parties from the over-50-mom/grandmom set.”
Opening this month at the Phiadelphia Live Arts Festival
The three curators share their thoughts on this year’s artists as well as their future vision of festival both presenting and supporting the creation of new transdisciplinary work
CULTUREBOT infiltrates EINSTEIN to retrieve an insider’s guide on how best to enjoy this legendary, but daunting, work.
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.
An interview with Iver Findlay about “fractured bones/ let’s get lost,” a new work from Findlay//Sandsmark in collaboration with Eric Dyer of Radiohole and video game modder Victor E. Morales