Month: October 2012
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Tolstoy’s “War & Peace” as Immersive Electro-pop Opera
An interview with composer Dave Malloy and director Rachel Chavkin about “Natasha, Pierre & the Great Comet of 1812”
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“Blood Play” at The Bushwick Starr
In their latest, The Debate Society produce a quietly compelling drama zooming in on middle-class anxieties and insecurities
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Panel As Performance: Deconstructing The Performa Event
This is the first section of a multipart essay Andy is writing called “The Economics of Ephemerality” which examines the relationship of performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
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Cbot Arts Writing of the Week Award Goes to…
Top notch reporting on Rothko’s artistic interlocutors so recently famous by way of the MPS
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Prelude.12: Who Is Man?
A scholar’s manifesto
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Joris Lacoste on Making Dreams
Crossing the Line invites the French director/artist to hypnotically produce art in NYC
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“Turbulence” Remixed at the YBCA
Our SF correspondent tackles Keith Hennessy’s latest, which opened last night in New York
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Prelude.12: The Manifesto Recap
Eric Shethar takes a turn at grappling with Wednesday’s manifestos
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Prelude.12: Breath and Manifestos
A Configuration of Thoughts as We Hit Day Three
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Prelude.12: An Interview with Jack Ferver & Josh Lubin-Levy
The multidisciplinary artist and his long-time dramaturg discuss taking on Tennessee Williams