Culturebot’s Chicago correspondent Meghan Moe Beitiks files a report about ATOM-r’s “The Operature” at the National Museum of Health and Medicine.
Relational March Day 7-9 ‘the role of artworks is no longer to form imaginary and utopian realities, but to actually be ways of living and models of action within the existing real, whatever the scale chosen by the artist’ (Nicolas Bourriaud, Relational Aesthetics p. 13).
Day 4-6: Lexington/Louisville, KY We are here in Lexington at the University of Kentucky on the invitation of Rae Goodwin and Dmitry Strakovsky. We met Dmitry briefly last year at Grace Exhibition Space, he is (among many other things) a performance artist. We met Rae
Relational March Day 3: Columbus, Ohio Everybody, regardless of categorical identification across racial, class-based, cultural, and lingual differences agrees: young white people from the Midwest do not belong in Brooklyn. Go back to where you came from, take your contact mics and your kale-chips and
Andy reports back from his trip to a colloquium at Brock University in St Catharine’s Ontario and a short jaunt in Toronto.
Jeremy M. Barker responds to Mallory Catlett’s “This Was the End”, playing through March 8 at The Chocolate Factory.
Day One: Washington D.C In the car on the way from Brooklyn to D.C., the invitation to write a tour blog becomes a reoccurring topic, popping up like a commercial between moments. We begin a kind of joke-trope which beings “Dear Andy…(Horwitz).” Dear Andy: today