Year: 2019
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The Intimate Process of DUET-ED
It shook me, as the kids say. And I see a lot. And experience a lot. And I felt shook.
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Five Questions with Lucy Powis
So you’re a dramaturg. What inspired you to pursue dramaturgy? I discovered it while I was in undergrad as a devised theatre major. At that point, I was a bit […]
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Planes, Twains, and Safety-belt Spiels: An Interview with Eliza Bent
Being on a plane you’re just constantly being confronted with your own mortality. Or at least I am.
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Readying Above and Below: “revolutionary new moon in aquarius” at ISSUE Project Room
And, yet, we are here, re-fashioning community and remaining soft in a building of stone. The monuments are crumbling. We can take an ax to their base or let them dissolve to the dust of their origin story.
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Peeling back the layers of SKIN
Wearing the mask in no way erases the company’s differences, but rather unites them as they all create together on a level playing field.
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The Magic of Diana Oh’s THE INFINITE LOVE PARTY
There is an open mic and a fantasy slow dance to memories yet to occur, and a dance party that is pretty cute. I fall in love for exactly 15 minutes and it’s the best.
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Nora’s Children are Millennial Artists in A DOLLS HOUSE, PART 3
Michael + Patrick seem to be rebelling against the theater’s ruling class: kitchen sink dramas, heady idea plays, and — worst of all — amusement park attractions masquerading as Broadway musicals. And so Michael + Patrick have created something else, something other.
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Half Straddle’s IS THIS A ROOM at the Kitchen
Tina Satter’s direction and Half Straddle’s pitch-perfect company establish and then maintain an unblinking focus that cuts through the dissipating fog and rewards the audience’s taut attention.
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Making and Shaping Work as Artists and as a Cohort
Considerations of how to communicate certain ideas, evoke abstract affects, and share stories explicitly offer possibilities for shared dialogue.