Year: 2022
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Francesca Dominguez’s “Galvanizing Steel” is Capable
“…one dancer’s hands on the foreheads of the other two, leading the paths of their movement; a dancer leaning on another who was kneeling on the floor, using them as an anchor, stability; the soloist connecting with the floor as the other dancers stared into her…”
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Hyperfantasia at The Brick Theater
Question everything. Laugh often. And be proud as peacocks, amoebas and hominids—you’re alive, and it’s June!
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Main Character Syndrome
If performance is an intersection between the realness of live embodiment and the fantastical suspension of reality, then this is true performance.
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“P I N E” by m i c c a @ Beach 81st, Far Rockaway
I put my arms around the dry branches, sunk my face between the needles. I remembered holding you like this before you left. I remembered when we did this without thinking.
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Looking to a “Beautiful Future” with Rita Kalnejais
I’m interested in setting myself as big a challenge as I can when I’m writing, saying to myself, “How can I love you?”
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Preview: “Departure Study of Mother/land Fabric” presented by The Exponential Festival, filmed at The Brick Theater
What is the body if not your closest, most concrete tie to blood lineage? It’s a mirror, a translation, a vessel for parallels and repetition across oceans and decades.
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Sophia Cleary’s “One & Only” at The Kitchen
“I aim to be a balance between a healer, a dictator, and an anarchist” – Sophia Cleary
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Creative Outlet: A Conversation with Shannon Yu
Paper. A tongue? A face? Hands, elbows, emerging body parts. Two bodies. Questions. Who are they to each other? Will they ever come out from behind the semi-translucent wall? Conceal and reveal. Discovery. Peekaboo, peep show, peeling back wrapping paper; pulling the curtain open in a stranger’s house to see a familiar smile.