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  • The Alchemy of Small Groups (Part 6 of 6)
    The Alchemy of Small Groups (Part 6 of 6)
    Andy Horwitz

    If the human world is organized in small groups, what are the qualities and conditions that make small groups work best?

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    April 30, 2024
  • NDT’s Sound of Silence // Where Movement Tells The Story.
    NDT’s Sound of Silence // Where Movement Tells The Story.
    Editors

      By Emma Schneider What does one come to see at a dance performance? There are components of productions that help to create a whole—costumes, lighting, music, etc.—yet, it would

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    April 29, 2024
  • The World In Small Groups
    The World In Small Groups
    Andy Horwitz

    Once you notice it, you can’t stop seeing it – the world organized in small groups. Why? What makes small group experiences uniquely powerful?

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    April 16, 2024
  • Worst Sex Ever and the WYSIWYG Talent Show, or Tales from Blogland
    Worst Sex Ever and the WYSIWYG Talent Show, or Tales from Blogland
    Andy Horwitz

    In 2004, nearly 300 NYC bloggers and their readers came together IRL for the first time to meet each other, drink and try to hook up. What does it mean when online communities gather in person? The 4th in a series of essays about live events and small group experiences.

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    April 9, 2024
  • From Black Box to Broadway
    From Black Box to Broadway
    Andy Horwitz

    Daniel Fish’s “Oklahoma!” in Los Angeles, Taylor Mac, Kiki and Herb and other tales of “Black Box to Broadway”. Essay #3 in a series about the unique power of live performance in small venues.

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    April 2, 2024
  • One Thing into Another: A Conversation with Alaina Ferris and Karinne Keithley Syers
    One Thing into Another: A Conversation with Alaina Ferris and Karinne Keithley Syers
    Kate Dakota Kremer

    Then Eamon yes-anded by saying, “By the way, I found this vibraphone on the street that I want to take apart.” So then we deconstructed the vibraphone.

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    March 27, 2024
  • From Storefront to Stadium
    From Storefront to Stadium
    Andy Horwitz

    That time I saw Nirvana in 1991. Or, what happens to an artist and their music on the journey from small clubs to stadiums and how are these experiences different? Essay #2 in a series about the unique power of live performance in small venues.

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    March 26, 2024
  • An Interview with Jesse Freedman on “The Banality of Evil” at The Brick
    An Interview with Jesse Freedman on “The Banality of Evil” at The Brick
    Eve Bromberg

      “Banality of Evil, as a phrase,” Jesse Freedman the Artistic Director of Meta-Phys Ed. told me on the phone last week, each of us speaking from our respective Brooklyn

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    March 22, 2024
  • The Effect: The Sublimity of Performance
    The Effect: The Sublimity of Performance
    Eve Bromberg

    If it weren’t for my erudite Anglophile cousin, I would never have known to see Lucy Prebble’s The Effect at The Shed (from March 3-March 31). An early Prebble fan,

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    March 20, 2024
  • An Evening of Rhythm and Double Consciousness With Nimbus Dance
    An Evening of Rhythm and Double Consciousness With Nimbus Dance
    Darvejon A. Jones

    Currently mounted at Nimbus’s Firmament Gallery + Boutique is  “Sometimes I Wander…” an exhibit displaying the photography of Life Magazine’s first Black photographer,  Gordon Parks, and staff photographer at The Source, Chi Modu. The gallery, which regularly features local and Black art,  showcases images of Blackness, Americana, and Community: Hip Hop.

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    March 19, 2024
  • Satori in a Storefront
    Satori in a Storefront
    Andy Horwitz

    That time I saw Kristen Kosmas in 1992 and it blew my mind. The first in a series of essays about the power of live performance in small rooms.

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    March 19, 2024
  • ON HOLDING AND (UN)LOCKING: CHOREOGRAPHING THE IRISH DANCE ARCHIVE IN Jean Butler’s What We Hold
    ON HOLDING AND (UN)LOCKING: CHOREOGRAPHING THE IRISH DANCE ARCHIVE IN Jean Butler’s What We Hold
    Meg Doyle

    There is a photograph of my grandad and three of his brothers taken in Dublin in the early 1930s; the brothers stand in a row and pose with their arms

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    March 15, 2024
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