There is a dizzying effect to the realization / acknowledgement of one’s cringe-worthy actions as white person to date, and Aloha Aloha gives that kaleidoscopic wheel quite the healthy spin.
Shaun Irons and Lauren Petty discuss “Why Why Always,” a cine-performance
The British artist discusses “Blackouts,” at Crossing the Line 2017
“Roberto Bolano’s appearance in the world is great for Latin American literature, for Latin American writers,” Javier Antonio Gonzalez, playwright and artistic director of the theater company Caborca, told me recently. “Even though his work is celebrated everywhere and people connect to it all over
Oh My God That’s Kevin Kelleher – Or, Does Specialness Only Exist In Your Mind? A Discussion with Tiny Little Band.
Stefanie and Jerry, in the midst of a mysterious project that I now know addresses (among other things) heroes, myths, and specialness, are experiencing, as a result of the process, a transformation in their thinking regarding such things
I was right I was wrong I was right I was wrong.
Here, humor and failure coexist comfortably; there is room for both at all times.
Margaret Tudor on Daniel Kok and Luke George’s ‘Bunny’ @ Abrons Arts Center.
Stormy talks to Cynthia Oliver and David Thomson about Tere O’Connor’s “Sister” (American Realness, Jan. 9 and 11, 2015)
“I kind of see the Edinburgh Fringe Festival as the hideous and perfect mirror of late globalized capitalism,” the British artist Andy Field told me in a recent Skype conversation. “It’s nominally open and democratic—anyone can participate in it—but there are so many barriers to
Tony Torn and Dan Safer talk about how they out together the coolest show onstage this month
In the company’s newest show, Richard Maxwell comes closer than ever before to a conventional well-made play. But for him, it’s all part of the process of interrogating our most basic assumptions about the theater