The impacts of grief, however miniscule or massive, are the focus of “Submerge 2017: Break Time”, a festival curated primarily by Ali Rosa-Salas. Interested in the ways in which “we” are “permitted” to grieve in public space and, as the curatorial statement offers, a concern on the “expectation to bounce back,” Rosa-Salas has assembled an enriching near week of events, ranging from breath work to brunch to bike rides, in recognition of the ways the personal is political; the ways we are alone with others; and the ways in which everything, art or otherwise, is necessarily interdependent.
Several times, misdirected/redirected, freezing and running in white-out conditions, I wondered why bother at all. But, sometimes it’s all you can do to just show up… 2 American Realness Discourse Talks, 2 Works-in-progress, 1 tight bit o’ dance.
Come as you are. come with your confusion, your sadness, your contradiction.
Rakiya Orange’s movement-based response to Kameelah Rasheed’s FUTURE PERFECT / indices & marginalia.