Recognition of the dance-becoming-functional, of completing a circuit between both halves, is undoubtedly gratifying. We are irresistibly, maybe placidly, hypnotized by the all-seducing power of the circle, and this dually lulls with its familiarity while entrancing with timelessness.
Anne Teresa De Keersmaeker’s “Rosas dansts rosas” live at MCA Chicago
Beyonce’s video for “Countdown” looks remarkably like Anne Teresa de Keersmaeker’s “Rosas Danst Rosas”. What are the implications for dance and performance as intellectual property?