While the subject matter is dead serious, the style and aesthetic approach feels giddy, unafraid of big stupid choices when they’re appropriate.
Parson slowly and deftly reverses the lens, edging away from the endlessly verbal Sam and leaving us with only Bess.
Emily Johnson/Catalyst is an artist for the coming age. Big Dance Theater’s subversively brilliant, mmm… at this point in their careers perhaps brilliantly subversive makes more sense. Day 4 of the January Festival Feast, more COIL and American Realness.
Paul Lazar and Annie-B nail it with a re-imagining of Euripide’s “Alcestis” that counts among the best Next Wave has offered this year
American artists – NTUSA, Miguel Gutierrez, Annie-B Parson and Dan Safer – use a few minutes of a French movie as the basis for their performances. Presented in association with Les Subsistances.