WHERE THE LIGHT FALLS: The Performance of Reaction in Branden Jacobs-Jenkins’ An Octoroon
“This begs the question: when the audience let out their sorry sound, were we reacting? Or was it the performance of an apology?”
“This begs the question: when the audience let out their sorry sound, were we reacting? Or was it the performance of an apology?”
A forward-looking backward glance at a decade of PRELUDE by Jeffrey M. Jones
From OCT 2 – 4 PRELUDE.13 celebrates ten years at the forefront of NYC performance. Be there.
Discussions of revitalizing black theater concentrate on playwrights and new plays, but why aren’t more black artists looking to make work outside of the box?