this world doesn’t make sense. therefore, making art that tries to make perfect sense doesn’t make any sense.
Dan O’Neil reimagines a joke he once heard to the tune of VERSAILLES 2016, a ‘play within a party’ by This is Not a Theatre Company
What I remember about Everyman, the 15th (I think?) century morality play taught in many theater history surveys: next to nothing. It’s allegorical, performers act in the role of virtues, there’s a journey, maybe a choice? God weighs in? So, what does that have to
I saw Witness Relocation’s Daily Life Everlasting by Charles Mee at LaMama. Then I wrote a poem.