Read Maximum Performance (BETA) Andy’s collected essays 2011-2013. Pay what you will.
Lydia Mokdessi talks to Maura Donohue about “zero…sixty” at Roulette
In defense of Tim Sanford’s response to audience reaction to Annie Baker’s The Flick at Playwright’s Horizons
Andy looks back at Culturebot’s “Everyone’s A Critic” project at On The Boards in Seattle.
A few weeks ago I was invited to speak (via Skype) to the Theatre Criticism class at Royal Holloway, University of London. It was a lot of fun, they were great kids and asked fantastic questions. A day or two later I got an email
How Do I Make This A Performance? Most freakin’ hilarious site I have seen in ages. Rarely am I super jealous of sheer comic genius, this is one of those moments. I smell a festival!
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.
Culturebot contributor Mashinka Firunts writes about a new project from Our Literal Speed.
Under The Radar and Culturebot present two public discussions on contemporary performance. On January 8 and 15 at 1PM in the LuEsther Lounge, UTR and CBOT will bring artists, curators, writers and audiences for thoughtful conversation on the state of the field.
Some thoughts on the conflict between artist intent and viewer interpretation
A pair of critics from the Guardian have started a conversation about whether and when it’s appropriate to talk about looks, good or bad.