Human Head Performance Group’s Due to Events, a curious collection of play pieces that have been constructed by Jean Ann Douglass and Eric John Meyer into a performance that runs through February 27th at The Brick, embraces a squirrely sense of logic that creates an
Dan O’Neil reimagines a joke he once heard to the tune of VERSAILLES 2016, a ‘play within a party’ by This is Not a Theatre Company
Dan O’Neil reflects on immersive theater making via a response to THE GRAND PARADISE
Today’s revolution, soon to be rendered in strobe-washed detail by the performance group Motus at La MaMa
Dan O’Neil responds to ‘Abyss’ and its use of a prominent first-person narrator
A non-machine-based response to ‘Futurity’, a co-production between Ars Nova & Soho Rep playing at the Connelly Theater through Nov. 15, 2015.
Grief counseling in the round, an immersive approach to remembering
An interview with Tiny Little Band on belief, darkness, and how to build a show that seeks to disrupt certainty and replace it with something else.
A dialogue on dance, theater, and intuitive responses centered around David Neumann / Advanced Beginner Group’s ‘I Understand Everything Better’ at Abrons Art Center through April 25.
Plays, words, bodies, video, and music collide in this immersive mash-up of ‘Hedda Gabler’ and ‘The Bacchae,’ at the Immersive Gallery through April 25th.
In Bambif*cker/Kaffeehaus, Little Lord presents a smorgasbord of indelicate delicacies.
Equal parts theater, music, and dog park, Comfort Dogs presents an environment suitable for howling at the moon.