You wouldn’t know that the woman dancing (meditatively, joyfully) in the corner had spent much of the last two years struggling just to walk. You wouldn’t know that she’d undergone a pair of painful and frightening surgeries that left her scarred and upended her life.
Dani Lencioni responds to Angel’s Bone and Dog Days as part of the 2016 Prototype Festival
A Response to Donmar’s HENRY IV at St. Anne’s Warehouse
A response to Screame at the United Solo Festival, and an interview with the show’s creator and performer, Nate Speare.
I saw Witness Relocation’s Daily Life Everlasting by Charles Mee at LaMama. Then I wrote a poem.
Science meets performance to delve into the sleepy subconscious on stage.