Elena Light responds to Dean Moss’ “johnbrown.”
Andy responds to Danspace Project’s Conversations Without Walls about “Some Sweet Day” at MoMA, recording included.
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
Recent choreographic works by Dean Moss and Yanira Castro invite an examination of interactivity in contemporary performance
Culturebot’s Maura Donohue talks to Dean Moss who premieres “Nameless Forest” this week and next at The Kitchen.