Drag has challenged me to re-examine and expand my gender identity, which I now see as a continuum between my “everyday self” and “performance self”.
From Bushwick to (off-off) Broadway: How Sasha Velour marries her night club roots with modern theatricality
This is best drag: rooted by a simple movement vocabulary elevated with full design elements embodied by a queer figure in complete control of her material.
massima selene desire on James Gardella’s “glitter fabulous” presented as part of HOT! at Dixon Place.
A red velvet curtain slowly opens…to reveal a dark hanging curtain. After a few moments, this layer peels off as well, onto a screen of faux leopard skin. The audience laughs. We are so close to the stage and the small theater makes me hungry