Ensemble Studio Theatre: It’s Not a Sprint
Is a one-act the most intentionally ephemeral storytelling? Or a prelude to a more extended version of itself?
Is a one-act the most intentionally ephemeral storytelling? Or a prelude to a more extended version of itself?
Whose sympathies aren’t piqued by a victim of circumstance who made someone laugh every day while he was alive, no matter how complicit he was in this environmental devastation, no matter how aware he was of the risk of his profession?
Caridad Svich on social injustice at the EST Marathon of One-Act Plays