Anna Christie – a response
O’Neill succeeds in using a traditional four act structure to present what one can only imagine were revolutionary feminist ideas when this play was first produced.
O’Neill succeeds in using a traditional four act structure to present what one can only imagine were revolutionary feminist ideas when this play was first produced.
David Herskovits’s latest investigation into the art of theater kicks off with a pared down adaptation of “Mourning Becomes Electra”
Amelia Parenteau on James Goodwin’s newest puppet show.
Richard Maxwell’s style well-suits O’Neill’s text in this collaboration with the Wooster Group.