Tag: Jerry Lieblich
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Asked to Practice
Contributor Lindsey Walko on WITHOUT MIRRORS, Jerry Lieblich’s newest play at The Brick Theater made for David Greenspan.
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The Uses of Obscurity | a conversation with Jerry Lieblich, Steve Mellor, and Meghan Finn
Jerry’s keen ear is tuned to productions of un-meaning—the kinds of nonsense, half-sense, and anti-sense that enable and mask violence, particularly violence committed in the names of patriotism and progress
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Cosmic Heart: a Conversation with Daniel Alexander Jones
I don’t think it’s our job to banish the darkness. But I think it’s our job to understand that the light locates us in this womb. It locates us in this infinite and ever expanding universe. And it gives us an opportunity to be present.
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Ecstatic Consent: An Interview with April Ranger
This question of power comes up – who are we listening to the most? And who are we not listening to, or are somehow unable to listen to, or fall asleep while they’re talking?
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Planes, Twains, and Safety-belt Spiels: An Interview with Eliza Bent
Being on a plane you’re just constantly being confronted with your own mortality. Or at least I am.
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You’re Going To Do My Play And It’s Going To Be A Hit: ‘The Mecca Tales’ Defies Stereotypes
Rohina Malik and Kareem Fahmy talk The Mecca Tales with Jerry Lieblich
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When Our Structures Fail Us: Tiny Little Band’s “Your Hair Looked Great” at Abrons Arts Center
The impressive ache of this show, then, is its structural admission that there might not be any failsafe pathway toward success—or, indeed, that success might not be achievable in the first pla
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Oh My God That’s Kevin Kelleher – Or, Does Specialness Only Exist In Your Mind? A Discussion with Tiny Little Band.
Stefanie and Jerry, in the midst of a mysterious project that I now know addresses (among other things) heroes, myths, and specialness, are experiencing, as a result of the process, a transformation in their thinking regarding such things
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We’ll Get This in Post
Thoughts on McFeely Sam Goodman’s Afterward. (Photos by Kelly Stuart)
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No Veils, No Headscarves – Reimagining the Middle Eastern Play with Kareem Fahmy and Sevan K. Greene
“I never felt like a person of color until I came to New York and started working in the theater. The theater, of all places, was where I first encountered racism in New York.” – Sevan K. Greene, in dialogue with Jerry Lieblich and Kareem Fahmy.
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Sense, Semiotics, & Sensibility
Some sentences on Alex Borinsky’s The Witches
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A conversational response to TOILET FIRE: Rectums in the Rectory
Jerry Lieblich and Jarrett Moran go in-depth about poop and mass