I don’t think it’s our job to banish the darkness. But I think it’s our job to understand that the light locates us in this womb. It locates us in this infinite and ever expanding universe. And it gives us an opportunity to be present.
This question of power comes up – who are we listening to the most? And who are we not listening to, or are somehow unable to listen to, or fall asleep while they’re talking?
Being on a plane you’re just constantly being confronted with your own mortality. Or at least I am.
Rohina Malik and Kareem Fahmy talk The Mecca Tales with Jerry Lieblich
The impressive ache of this show, then, is its structural admission that there might not be any failsafe pathway toward success—or, indeed, that success might not be achievable in the first pla
Oh My God That’s Kevin Kelleher – Or, Does Specialness Only Exist In Your Mind? A Discussion with Tiny Little Band.
Stefanie and Jerry, in the midst of a mysterious project that I now know addresses (among other things) heroes, myths, and specialness, are experiencing, as a result of the process, a transformation in their thinking regarding such things
Thoughts on McFeely Sam Goodman’s Afterward.
(Photos by Kelly Stuart)
No Veils, No Headscarves – Reimagining the Middle Eastern Play with Kareem Fahmy and Sevan K. Greene
“I never felt like a person of color until I came to New York and started working in the theater. The theater, of all places, was where I first encountered racism in New York.” – Sevan K. Greene, in dialogue with Jerry Lieblich and Kareem Fahmy.
Some sentences on Alex Borinsky’s The Witches
Jerry Lieblich and Jarrett Moran go in-depth about poop and mass
Jerry Lieblich talks with Kareem Fahmy and Victor Lesniewski about Couriers and Contrabands, upcoming at TGB Theater.
Thoughts on Anne Washburn’s 10 out of 12