Maura interviews Dorothée Munyaneza. Her “Unwanted” has its New York premiere at Baryshnikov Arts Center TONIGHT (September 21-22). Her “Samedi Détente” at Under the Radar Festival in early 2016 ripped open the wounds of the genocide in Rwanda. With “Unwanted,” she explores the physical and mental repercussions of rape used as an instrument of war.
Cumbe: Center for African and Diaspora Dance (Cumbe) returns to Brooklyn with a new home at RestorationART. Maura interviews Jimena Martinez, Cumbe’s Executive Director.
Maura talks to Maria about her upcoming premiere of “dying and dying and dying” at Gibney Dance Center this week.
An effective seduction, there is enough truth in the tall tales to keep us believing and bound to the ride.
In these perilous, challenging and unpredictable times in our country and in the world, we can look to the performing arts for some clues as to how we might respond and continue to live our lives with vigilance, and hopefully a modicum of wisdom, to
CultureHub’s “Hi-Fi, Wi-FI, Sci-Fi,” a collection of plays by iconic playwright Robert Patrick opens Thursday at La MaMa’s Downstairs Theater. This production connects us with an expansively visionary and prophetic writer and in the hands of this creative team of directors, designers, programmers, and performers we get the easiest way into a rift in the space-time continuum. It’s going to be a pretty singular theatrical experience. The revolution will be virtual.
With an impending Developer-in-Chief and First Son-in-Law eager to tear down historic buildings for the sake of more real estate profits, the preservation of buildings like 537 Broadway become essential. Kudos to Cathy for bringing it forward as the centerpiece and star of her latest work.
Judy Hussie-Taylor, Ishmael Houston Jones, Will Rawls and over a 112 artists, undertook a labor of revisionist history and artistic accomplishment that is clearly one for the books historic…Lost and Found Ends, but WE WILL NOT REST IN PEACE.
Gina Gibney is a builder and a visionary. From 890 down to 280 Broadway, her centers are offering dancers of a wide range of practices space to meet, move and make. So, it is no surprise that her ability to organize on the mark – with great precision and expansive vision – consistently and persistently translates choreographically.
How will we ever go back after the planting that guest curator Eva Yaa Asentawaa sowed during last week’s “the skeleton architecture, or the future of our worlds?”
You had to be there, but if you weren’t… make it a point next time to get yourself seated at his feet and revere in his splendor. areyouready?
Bruno Isakovic’s Denuded @ Queer New York International Arts Festival