Tag: Meghan Finn
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An (Accessible) Trojan Woman
…this radical idea that we take care of our own species, you know? Our own species! When I say it doesn’t have to be this way, it really doesn’t. It’s our choice.
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The Inner-Inarticulate of KARA & EMMA & BARBARA & MIRANDA
Through their inner-experience, we see that the women’s profound losses and fears are surrounded by decidedly mundane and glancing frustrations – the very kind that eat away at all of our sense of agency but are the stuff of the everyday absurd
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One Thing into Another: A Conversation with Alaina Ferris and Karinne Keithley Syers
Then Eamon yes-anded by saying, “By the way, I found this vibraphone on the street that I want to take apart.” So then we deconstructed the vibraphone.
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The Uses of Obscurity | a conversation with Jerry Lieblich, Steve Mellor, and Meghan Finn
Jerry’s keen ear is tuned to productions of un-meaning—the kinds of nonsense, half-sense, and anti-sense that enable and mask violence, particularly violence committed in the names of patriotism and progress
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“These People Seem Like Republicans”: Rebecca Patek takes on shame, rapey logic and misogyny with CHASM
With CHASM I wanted a way to get that back because I feel like that’s not about a career, or being an artist, it’s mine, it’s what I do, it’s what I’ve always done. It feels necessary for survival.
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How To Build A Tea Shack with Sam: Digressing Towards Coherence
This is that Marco Polo shit, I realized. This city, we’ve inherited it. We’re in it. And I didn’t think anybody else besides Sam would care with the fervor that I did.
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On The Offending Gesture, or what means ‘work’?
A response to The Offending Gesture by Mac Wellman and what makes something ‘work.’
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Adhesive Theater Project’s “The Service Road” by Erin Courtney
Oh, the puppets! Last last weekend took me to Erin Courtney’s The Service Road directed by Meghan Finn in an Adhesive Theater Project production at the New York City College of Technology’s […]