Tag: Responses
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Maximum Performance (BETA) Now Available
Read Maximum Performance (BETA) Andy’s collected essays 2011-2013. Pay what you will.
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The Autodidact’s Guide to Curatorial Practice In Performance
Reflections on curatorial practice, the upcoming ACAQ Symposium in Montreal and the first edition of “The Autodidact’s Guide to Curatorial Practice In Performance”
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Live Art in the Age of Mindfulness
Andy talks about mindfulness, meditation and live performance, featuring “The Culturebot Guide to Mindful Spectatorship”
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notes on dance performance
Stormy Budwig’s essay: “notes on dance performance: perceptual research gesture struggle somatization aestheticized bodily terrains respect new language method ritual proprioceptive being”
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The Future of Performance: A Performance, Lecture
A recording of Andy’s talk on “The Future Of Performance” given at The Glasshouse Project for BIPAF
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BIPAF: Your Abridged & Annotated Guide
Here is our completely subjective and totally biased Abridged & Annotated Guide to the Brooklyn International Performance Art Festival.
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Brandon Ballengée’s ‘Collapse’ at Ronald Feldman Gallery
Culturebot contributor Moe Beitiks discusses artifact, activism, performance, and the hangover of the BP oil spill in The Gulf as represented in the work of Brandon Ballengee, currently on display at Ronald Feldman Gallery.
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Teatr ZAR at MCA in Chicago
Culturebot contributor Meghan Moe Beitiks reports on Teatr ZAR at MCA in Chicago.
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Teatr ZAR at MCA in Chicago
Culturebot’s Meghan Moe Beitiks has a preview of Teatr ZAR at MCA in Chicago
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CBOT’s Take on “Takes”
Alyssa Alpine on Nichole Canuso Dance’s “TAKES” at 3LD
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Democracy, Art & Critics, or, What Happens to Important Stuff If There’s No One to Call It Important?
Michael Kaiser has been rightly ran through the ringer, but in this brave new democratically discoursive world, what happens to art?
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The Controversy Over Mike Daisey’s “Agony and Ecstasy of Steve Jobs”
The monologist’s new show has earned raves for his performance even as critics take issue with the content
