Canada abandons the arts for “creative hubs”; exploring relevance in performance at Philly FringeArts; questioning the Guggenheim; and more.
Alias Ellis Mackenzie was one of the shows I was most looking forward to this Fringe. I had never seen anything by Thaddeus Phillips and his company Lucidity Suitcase Intercontinental before, but his work has been featured as some of the community’s favorite Fringe pieces
Erin Washburn responds to Jo Stromgren Kompani’s THERE at Philly Fringe.
Philadelphia’s Fringe Festival is comprised of two types of fringe-ing. There’s the Independent/Neighborhood Fringe–which is Fringe as we typically understand it, independent producers sprawled all over the city making weird experimental pieces. Then there’s the Curated Fringe, which consists of productions FringeArts has invested money