Why Returning to Reims works: The sequence and method of a political play
We engulf and tangle with a political idea in a different way than how we listen and respond to a play.
We engulf and tangle with a political idea in a different way than how we listen and respond to a play.
Performing intersections between the personal and political.
Joost Ramaer speaks with Milo Rau, politcal theater artist and founder of the International Institute of Political Murder (IIPM).
The founder SABAB talks about the challenges making “The Speaker’s Progress,” a satire on political inertia in the Arab world, opening tonight at BAM
News from around the interwebs: Theater gets political (and politicized), dance goes contortionist in the new economy, Portland fields its best up-and-coming theatrical talent & more.