On the Practice of 600 Highwaymen
“The ensemble has to generate its own very particular vocabulary in order to articulate the words and actions that the play demands and to get people comfortable in grounding their presence on stage.”
“The ensemble has to generate its own very particular vocabulary in order to articulate the words and actions that the play demands and to get people comfortable in grounding their presence on stage.”
In Dialogue with director Daniel Fish
Or, Some Preliminary Considerations Regarding the Formal Nature and Purpose of Prelude
An anonymous manifesto writer challenges the field to grapple with the contemporary performance marketplace
Following up on ideas raised at Prelude.12, Kai Tuchmann interviews a former Wooster Group member now based in Berlin
The writer/director discusses his Elmo monodrama “Furry”.
A scholar’s manifesto
Eric Shethar takes a turn at grappling with Wednesday’s manifestos
A Configuration of Thoughts as We Hit Day Three
The multidisciplinary artist and his long-time dramaturg discuss taking on Tennessee Williams
After participating in Prelude’s manifesto-Marathon Jessica Applebaum, Maxwell Cramer and Kai Tuchmann discussed the old literary genre of the manifesto and its usage by Prelude’s artists with the hope that it can ripple out to a larger conversation on the web
Check out the 2012 Prelude Festival streaming live from the Martin E. Segal Center