The Neck and The Neutral
When it comes to representation, the question of whose vantage point is accepted as the default. Whose story reads as universal?
When it comes to representation, the question of whose vantage point is accepted as the default. Whose story reads as universal?
Amelia Parenteau responds to Manual Cinema’s multimedia event.
Amelia Parenteau on James Goodwin’s newest puppet show.
Leslie Strongwater talks to Cheryl Henson about coming out of the object-theater closet and owning the “p-word”: puppets.