Dancing a History and Defining a Project: Some Notes on Netta Yerushalmy’s “Paramodernities #3”
Performance as reparation, as reconfiguration, as a way to bounce back and forge ahead.
Performance as reparation, as reconfiguration, as a way to bounce back and forge ahead.
Elena considers the outdoor version of “White” by Michelle Boulé, performed June 24 and 26 at Peck Slip Park.
Andy shares some thoughts on the nature of attention and how to talk about it.