A Slow and Steady Commotion: response to Sister Sylvester’s Maps for a War Tourist
But the tortoises bring a different element. They seem trustworthy. You can really count on them to play their part.
But the tortoises bring a different element. They seem trustworthy. You can really count on them to play their part.
Festival profile: Under the Radar, New York
Sister Sylvester’s new piece, They Are Gone But Here Must I Remain, opens with the company’s founder and director, Kathryn Hamilton, cheerfully and pragmatically laying out a few basic facts concerning her subject of interest: a documentary film called The Fall shot in 1968 by
Georgina Escobar responds to Sister Sylvester’s “The Maids’ The Maids”.