Tag: The Kitchen
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Culturebot Scanner: April 24-May 8
Newest installment of Culturebot Scanner to get the word out about what we’re excited to see over the next two weeks.
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Performing Film: Sam Green at The Kitchen
Sam Green performs his latest film at The Kitchen this week.
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Culturebot Scanner: Putting Performance On Your Radar (March 22-29)
Any given day in NYC brings hundreds of choices of things to do and Culturebot Scanner is here to help put the good stuff on your radar. Here are some […]
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Culturebot Scanner – Cool Stuff To Do and more….
Here are some awesome events coming up in the next few weeks, starting with a showing TONIGHT! Mark your calendars and check out these performances/symposiums/opportunities: Mårten Spångberg Workshop Presentation Saturday, March 2 […]
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A Return to “Performance”
Looking anew at unconventional performance through the work of Arturo Vidich, Claude Wampler and Harrison Atelier
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Radiohole Brings The Creature To Life!
Went to The Kitchen Saturday for the opening night of Radiohole’s newest work Inflatable Frankenstein. It was an incredible return to form – or maybe next step – for one of my […]
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Eric Dyer on “Inflatable Frankenstein” and Radiohole’s Scenographic Approach
“We’ve always had an interest in making things, in making ‘stuff.’ I’ve always been interested in theater as a visual medium.”
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Adrienne Truscott’s “…Too Freedom…” at The Kitchen
Culturebot’s Lydia Mokdessi responds to Adrienne Truscott’s “…too freedom…” at The Kitchen.
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Adrienne Truscott in conversation with Marissa Perel on “…Too Freedom…”
Adrienne Truscott, talked to Critical Correspondence co-editor Marissa Perel about her new show “…Too Freedom…” playing at the Kitchen until the 15th.
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First Person with Neal Medlyn
The inaugural “First Person” where we invite artists to share their thoughts on their work, practice and the state of the field
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Shana Moulton, I’m Sorry (and other important things)
Andy apologizes to Shana Moulton and muses on art, context, personal histories and the interwebs.
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THE ECONOMICS OF EPHEMERALITY
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.