A (Failed) Experiment from Not Blood Paint
Brooklyn band/theater outfit Not Blood Paint, this weekend at Arts in Bushwick’s SITE Fest
Category Archives: Festivals
Blindspot Opens Tonight in Philadelphia
Blindspot, a new, nine-night festival of experimental dance and music, opens tonight in Philadelphia.
DUMBO Arts Festival Call for Proposals
The DUMBO Arts Festival is now accepting proposals to participate in this year’s festival which will take place on Friday, September 23 – 25, 2011.
Perforations Festival New York March 11–21, 2011
La MaMa in association with Perforacije (Perforations) Festival in Croatia presents Perforations Festival New York from March 11–21, 2011. Culturebot is only familiar with two of the artists – Ivo Dimchev and BadCO. – but if that’s the type of stuff they’re bringing, this is bound to be good!!
Austin Company Brings New Russian Theatre to US
Breaking String, an ambitious young Austin theatre company, presents a festival of new Russian theatre.
“My Mind Is Like An Open Meadow” at Portland’s Fertile Ground Festival
Hand2Mouth’s Erin Leddy debuts her solo show at Portland’s new theater festival
FLICfest: Brooklyn’s new festival of Independent Feature-Length Choreography
A conversation with Jeramy Zimmerman, the creator and producer behind FLICfest, Brooklyn’s new dance festival that runs January 20-29, 2011.
A Week in Reviews
UTR, COIL and APAP showcase coverage of Gob Squad, Ranters Theatre, 2boys.tv, and Fitzgerald & Stapleton.
American Realness: “Puro Deseo,” John Jasperse, Faye Driscoll & Miguel Gutierrez
The American Realness Festival: Luciana Achugar’s “Puro Deseo,” and selections from John Jasperse, Faye Driscoll, and Miguel Gutierrez
Belarus Free Theater and Reggie Watts at UTR
Belarus Free Theater uses the work of Harold Pinter to shine light on a dark corner of Europe, and Reggie Watts and friends talk about some dumb-awesome stuff
APAP Time: What’s the What at Under the Radar and COIL
It’s festival time in NYC: here’s Culturebot’s previews for Under the Radar and COIL
Prelude 2010
PRELUDE.10 asks a blunt question that straddles funding, audience and disciplinary tensions pervasive in our contemporary performance sector: “Why Does Live Matter?”