Category: Points of View
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Talia Corren, Gregory Mosher, + Theresa Buchheister in conversation | We The People: Assembly of New York Artists
The Co-Executive Director at A.R.T.-NY., the Executive Director of The Office of the Arts at Hunter College, and an artist who is trying to move back to New York come together to imagine and create a more sustainable environment for New York artists.
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The City That Listens: Immersion and the Nervous System of London
Letters From London dispatch #2 | Diving deep into the sensory heart of London’s immersive art scene.
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We Must Make Our Ghosts Our Guests
In installment one of her series “Letters from London,” writer and cultural producer Sarah Kornfeld discusses the opening of Ibraaz, a new arts and cultural space dedicated to visual culture from Middle East and North Africa (MENA) region.
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In Her Solo Show MY WAY, Isabel Monk Cade Confronts and Then Arrives Home
I first heard Isabel Monk Cade read her essay My Way–which has since become, through a collaboration with director Joy Donze, a fully-staged solo show– as part of The Dogtown […]
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Some Thoughts on Cultural Asset Mapping
Building arts and culture infrastructure? Here are some lessons learned from a community-based cultural asset mapping initiative in South Los Angeles.
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“When The End Becomes The Beginning:” Okwui Okpokwasili and Peter Born’s adaku part 1: the road opens
Adaku’s forced departure forever alters her connection to reality — she is absorbed into the unknown, which marks the start of our inquiry. Her trauma, epistemically, is our starting point.
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On NYCB’s 75th Fall: Leadership, Youth, and Deviation
This fall, NYCB kicked off the celebration of their 75th anniversary dedicating the entire season to the work of George Balanchine, the company’s co-founder and artistic realizer. On the night of October 11th, to memorialize the first-ever performance of The New York City Ballet at New York City Center, the company put on the exact…
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Meghan Moe Beitiks on Prague Quadrennial 2023
PQ has “evolved into a platform, which explores progressive approaches, new media, virtual spaces and interdisciplinary relations.”
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The Theater(s)We Need Now
Okay. I wrote a really long discursive essay about The Theater(s) We Need Now – and I didn’t even dive too deep into the arts admin weeds – but I […]
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Creating New Futures: A Statement in Solidarity with Emily Johnson & Calls to Action
I hope the more arts workers and others share these stories, the more clear and obvious the focus on change becomes. —Emily Johnson
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John Gutierrez’s view from Miguel Gutierrez’s “This Bridge Called My Ass”
John Gutierrez writes from inside “This Bridge Called My Ass” from Miguel Gutierrez
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in spite of safety and comfort: Perforations Festival round up
Perforations Festival brings us into direct responsibility for the execution of artistic ideas and challenges the passive stasis of sideline observation in a mostly successful series of performances that ripped apart conventional norms.