Category: First Person
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How to Have a Slightly Better Chance at Getting a MAP Grant
Artist U.’s Andrew Simonet shares insight into the MAP Grant process
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I Am Not Asking You For Money
In which the founder of Culturebot asks for your help.
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notes on dance performance
Stormy Budwig’s essay: “notes on dance performance: perceptual research gesture struggle somatization aestheticized bodily terrains respect new language method ritual proprioceptive being”
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Process Notes: Tracing a Legacy of American Musical Theater
Tatayana Tenenbaum shares thoughts from her most recent process.
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Politics and Aesthetics and Social Movements! (A How-To Guide, Extracted from the Brain of Jacques Rancière)
Nick Benacerraf kicks the knowledge about Jacques Rancière, aesthetics and the politics of spectatorship, among other things.
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Dual Economies (Thoughts On Detroit)
Artist, administrator and educator Aaron Landsman shares some thoughts on Detroit.
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Heist at Staten Island’s LUMEN
Chloe Bass writes about the power of cash and disruption as creative practice.
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Time Share: It’s not a hole, we made it
The organizers of Time Share on how and why this collaboration came to be.
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Bourgeois Pretensions, or Biscuits and Gravy
Timothy Braun hangs out with Mac Wellman, Steve Mellor and Eliza Bent atThe Fusebox Festival in Austin, TX.
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Malloy’s Manifesto or Silent Dave Speaks His Mind
Dave Malloy breaks his silence, responding to Culturebot’s “The Theater of Tomorrow, Today” Long Table discussion at Under The Radar with a thoughtfully positive and provocative manifesto.
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Jesse Zaritt on Faye Driscoll’s “You’re Me”
Zaritt, an original performer in “You’re Me,” writes about the the driving philosophy and questions behind Driscoll’s work.
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To Alastair, from Ben
A lightly edited open letter Ben Pryor wrote to Alastair MacAuley in response to an email exchange about American Realness