Category: From the Editor
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THE POLITICS OF CULTURAL PRODUCTION IN THEATER (OR, DEVISE THIS!), Part III
Part III of III, in which Andy discusses in broad strokes the economics of cultural production in theater, its aesthetic implications and hints at its resemblance to large national economic conditions.
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Kyle Jarrow Talks About Culturebot
Playwright, musician and all-around good guy Kyle Jarrow was one of Culturebot’s first interviews way back in the day and now he’s a Rock God. Here’s what Culturebot means to him. And if you like Kyle, please love Culturebot, give today.
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Introducing CultureBytes.org
Announcing CultureBytes.org, Culturebot’s microbloggy little brother for bite-sized nuggets of arts-related tasty goodness!
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Stephen Petronio Talks About Culturebot
As we continue our first-ever fundraising campaign we reached out to some friends to share some thoughts about why they value what we do. Here’s a few words from celebrated choreographer Stephen Petronio.
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What Are The Big Ideas?
A list of links to the major Culturebot essays of the past year, the foundational literature for The Citizen Critic Project
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Join Culturebot’s Citizen Critic Project
Culturebot launches The Citizen Critic Project. Make it happen through your support of our IndieGoGo campaign!
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The Politics Of Cultural Production In Theater (Or, Devise This!), Part I
The first in a series of essays on the origins, practices and implications of “non-traditional” theater.
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Art In The Age Of Digital Reproduction (and Distribution)
Andy on “Roman Tragedies” at BAM and what dance can learn from Beck and the Grateful Dead.
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Shana Moulton, I’m Sorry (and other important things)
Andy apologizes to Shana Moulton and muses on art, context, personal histories and the interwebs.
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THE ECONOMICS OF EPHEMERALITY
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
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Re-Framing The Critic for the 21st Century: Dramaturgy, Advocacy and Engagement
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.