Category: Live Art
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Get With The Brooklyn International Performance Art Festival
We really, really love the Brooklyn International Performance Art Festival, no matter how it turns out. 2013 – the year of crowd-sourced, collaboratively-created, socially-engaged, non-disciplinary performance. Occupy This!
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The Future At The End Of The World
Check out “The Future at the End of the World”, an immersive, interdisciplinary group performance in the largely abandoned offices of the James A. Farley Post Office in Midtown Manhattan. Curated by Andy Horwitz, presented and produced by Immediate Medium.
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Shana Moulton, I’m Sorry (and other important things)
Andy apologizes to Shana Moulton and muses on art, context, personal histories and the interwebs.
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Performance Symposium at MoMA: How Are We Performing Today?
Livestream of MoMA’s How Are We Performing Today? symposium. Please watch and respond!
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THE ECONOMICS OF EPHEMERALITY
This is the third article in a multi-part essay Andy is writing that examines the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.
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2012 TBA Festival Journal
Contributor Ruth Wikler-Luker records two weeks of show-going in Portland, Oregon
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Charlotte Ford’s “Bang” at Philadelphia Live Arts
Or, How Much Female Empowerment Are We Allowed?
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Iver Findlay talks about “fractured bones/let’s get lost” at Performing Garage
An interview with Iver Findlay about “fractured bones/ let’s get lost,” a new work from Findlay//Sandsmark in collaboration with Eric Dyer of Radiohole and video game modder Victor E. Morales
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Some Thoughts on Attention, Language and Demand
Andy shares some thoughts on the nature of attention and how to talk about it.
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Anya Liftig To Premiere “I’m a Groucho Marxist” in Atlanta
Anya Liftig premieres a new durational performance presented by Flux Projects in Atlanta, GA on July 7th.