Pride, Prejudice and Temptation
“Ain’t Too Proud” is more than just a jukebox musical.
All posts by Andy Horwitz
A Choreography of Ideas
The critic or artist who wants to be trusted must be willing to be vulnerable and flawed; she must be willing to be wrong. She must be willing to risk. And it is no less terrifying for the critic to reveal herself than the dancer, choreographer, actor, artist, or musician.
Philosophy and Choreography Together in SF
Philosopher Alva Noë joins Jess Curtis and Claire Cunningham at CounterPulse in SF
The NEA at 50 and The Death of the Public Good
“When are we artists and when are we everyone?” The answer, of course, is that artists are always everyone, we are members of a greater Public, and it is in acknowledging this that artists can create change.
Feeling The Momentum in Edinburgh
Andy’s report from Festivals Edinburgh and the Momentum Symposium.
From Poland, With Love
Andy reports on his December trip to Poland.
Experiments in Participation in London
Andy reports back from London’s Dialogue Festival: Talking/Making/Taking Part
A Trip Through the Garden of Sonic Delights
Exploring sound art at Caramoor in Westchester.
Fixing American Arts Philanthropy, Part 1
Aaron Gervais shares some thoughts on arts funding
Goodbye To All That, For Now
Andy reflects on leaving New York.
Talking To Aniccha Arts About “In Habit: Living Patterns”
Talking dance, tech and media with Aniccha Arts.
Talking to Troika Ranch
Andy talks to Dawn Stoppiello & Mark Coniglio of Troika Ranch about performance, technology and life itself.