Andy Horwitz

The Theater(s)We Need Now

Okay. I wrote a really long discursive essay about The Theater(s) We Need Now – and I didn’t even dive too deep into the arts admin weeds – but I know how things are, I know what life is like, I know everybody’s busy so

the single most remarkable work of 2022

600 Highwaymen’s “A Thousand Ways, Part 3: An Assembly” is one of 2022’s most remarkable works of theater.

Pride, Prejudice and Temptation

“Ain’t Too Proud” is more than just a jukebox musical.

A Choreography of Ideas

The critic or artist who wants to be trusted must be willing to be vulnerable and flawed; she must be willing to be wrong. She must be willing to risk. And it is no less terrifying for the critic to reveal herself than the dancer, choreographer, actor, artist, or musician.

Philosophy and Choreography Together in SF

Philosopher Alva Noë joins Jess Curtis and Claire Cunningham at CounterPulse in SF

The NEA at 50 and The Death of the Public Good

“When are we artists and when are we everyone?” The answer, of course, is that artists are always everyone, we are members of a greater Public, and it is in acknowledging this that artists can create change.