Author: Catherine Sawoski

Set in the year 2000, flip phones are everywhere in Humpty Dumpty. The two central couples, Hallmark characters with high-power city jobs, spend much of the play walking around desperately […]

In 2011, during the second year of the annual Fire This Time Festival, organizers produced the work of an up-and-coming playwright named Dominique Morriseau. The writer, now known as a […]

  I spent the two hours after leaving Honeyland thinking about how it could be rewritten into a passable show. It was a frustrating task. What should one do with […]

  The ‘Cellino v. Barnes’ play ads have been almost as inescapable as their real-life inspirations in recent months. Facebook and Instagram have become virtual billboards with plastered actors across […]

Few things make you feel as lucky to live in New York as being around artists at the beginning of their careers. This is certainly the case with ELEGIE, a […]

Matthew Freeman, like most New York City creatives, has a day job. The award-winning playwright, who premiered his latest play, The Ask, in early September, spends his time out of […]

You – just you – walk into an empty space. The only thing visible is a note with a phone number on it, and when the voice on the other […]

  The Brooklyn Center for Theatre Research, based out of a loft in Greenpoint, is known for shows that tread the line of intellectualism and indulgence. Playwright and director Matthew […]

For young women on social media and the real world alike, girlhood has become somewhat trendy in recent months. Apprehensive of adulthood, increasing numbers of individuals have clung to the […]