Year: 2015
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Open Spectrum Critical Community Dialogues: Navigating Privilege
On Monday, December 7th, at 7:30 p.m., New York Live Arts will host the second of a series of Open Spectrum Community Dialogues, produced in association with MAPP International Productions. Culturebot, as critical partner, reached […]
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Questions to Ask During Diamond Heists, Fifth-Grade Reunions, and Other Immersive Experiences
Mariah MacCarthy explores the rules of immersive theater making in response to UNTAMEABLE
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An Aesthetic Meditation
How are we expanding the cultural diversity narrative through creative works?
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On the First Person Narrator & ABYSS – a response
Dan O’Neil responds to ‘Abyss’ and its use of a prominent first-person narrator
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Rebeca Medina’s Paraiso @ Five Myles Gallery
It’s like walking into an abandoned house where everything’s been left the way it was.
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New Ways to Talk About the ‘Work’ – a course-driven response to ANIMALS
An exploration of the ‘course-driven’ theater structure via CHASE – WHAT MATTERS MOST at Dixon Place
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Forgetting, Remembering, Forgetting Again – a dialogue on watching via ‘tiger tiger’
Dan O’Neil and Jennifer Cayer attended ‘tiger tiger (on the nature of violence)’ at Dixon Place on separate nights. Then they wrote this.
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Stepping Out From the Chorus
A decade after he helped pioneer theater blogging, director Isaac Butler looks back
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A Giddy Francophile at BAM
Amelia Parenteau responds to ‘Savannah Bay’ at BAM
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Nate Speare’s SCREAME: A Response & Interview
A response to Screame at the United Solo Festival, and an interview with the show’s creator and performer, Nate Speare.
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Tiger, Tiger at Dixon Place – A response
Amelia Parenteau responds to Jessica Almasy’s ‘tiger tiger (on the nature of violence)’ at Dixon Place
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What Birds Can Teach Us about Life on Earth
We see fiery passion, desperate failing, and tender hope. It soars into outer space and plunges deep into human consciousness.
