That is, of course, impossible, I don’t know what Ashley was thinking [laughter].
What I remember about Everyman, the 15th (I think?) century morality play taught in many theater history surveys: next to nothing. It’s allegorical, performers act in the role of virtues, there’s a journey, maybe a choice? God weighs in? So, what does that have to
This performance contains the hottest chair dance I’ve ever seen.