Month: February 2016
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Steve Paxton on Robert Ashley Opera-Novel Quicksand
That is, of course, impossible, I don’t know what Ashley was thinking [laughter].
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Everymen: Actors Theatre of Louisville’s The Glory of the World
What I remember about Everyman, the 15th (I think?) century morality play taught in many theater history surveys: next to nothing. It’s allegorical, performers act in the role of virtues, […]
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A Call-and-Response Response to Jack Ferver’s Mon, Ma, Mes (Revisité)
This performance contains the hottest chair dance I’ve ever seen.