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  • The Following Evening, A Year Later
    The Following Evening, A Year Later
    Andy Horwitz

    In 2024, Talking Band and 600 Highwaymen presented “The Following Evening” at PACNYC. Here are some thoughts after a year’s reflection.

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    February 18, 2025
  • Ghost Porn by Brendan Drake
    Ghost Porn by Brendan Drake
    Miya Shaffer

    Like fear, desire can be excessive, often humorous, and represents a valuable state in itself — a totality of the sensation in which personal and social histories persist, and new insight can emerge.

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    February 13, 2025
  • “hope organ” takes on politicizing shame and dance synesthesia 
    “hope organ” takes on politicizing shame and dance synesthesia 
    Emma King

    Which I think says something meaningful about fantasy; materials become less messy and people become more one-dimensional and places become infinitely reachable and the perfect temperature in our minds.

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    February 13, 2025
  • “There’s nothing like a fertile misremembrance”:  A Conversation with Jerry Lieblich and Paul Lazar on The Barbarians at La MaMa
    “There’s nothing like a fertile misremembrance”: A Conversation with Jerry Lieblich and Paul Lazar on The Barbarians at La MaMa
    Eve Bromberg

    When I scheduled my interview with Jerry Lieblich and Paul Lazar—in preparation for the latest run of The Barbarians, Jerry Lieblich’s unfurling meditation on rhetoric and power (and the power

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    January 27, 2025
  • Arriving at The Place Where Healing Can Happen: Stuart B Meyers & Blaze Ferrer in Out-FRONT! Fest.
    Arriving at The Place Where Healing Can Happen: Stuart B Meyers & Blaze Ferrer in Out-FRONT! Fest.
    Hannah Liberman

    “Have you been here before?” I heard someone behind me ask, as we climbed the back staircase at Judson Memorial Church. We paused on nearly each stair as the line

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    January 26, 2025
  • When The Story Lies Between The Steps: Moment to Moment in “The Suite” by Julia Antinozzi
    When The Story Lies Between The Steps: Moment to Moment in “The Suite” by Julia Antinozzi
    Sophia Parker

    The Suite is by Julia Antinozzi and co-presented by Live Artery | New York Live Arts and Triskelion Arts.  Throughout The Suite, a story of requited yet restrained love unfolds

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    January 24, 2025
  • A Very Serious Unserious Dance and Some Rigorous Instructions for (Queer) Joy?
    A Very Serious Unserious Dance and Some Rigorous Instructions for (Queer) Joy?
    Theo Armstrong

    Theo Armstrong describes some cool moves and asks Noa Rui-Piin Weiss and Miranda Brown some silly yet probing questions after seeing !!simon says~~!:));)$$ Presented as part of the Out-FRONT! Festival

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    January 21, 2025
  • Reckoning without Redress, jill sigman/thinkdance, Re-Seeding (Encounter #4: The Seamstress) in  Pioneers Go East Collective’s Out-FRONT Fest
    Reckoning without Redress, jill sigman/thinkdance, Re-Seeding (Encounter #4: The Seamstress) in Pioneers Go East Collective’s Out-FRONT Fest
    Juliana DeVaan

    In a moment characterized by decay, destruction, and despair, it feels peculiar to find oneself in a place characterized by warmth, communion, and creativity. Out-FRONT! Fest., a week-long program of

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    January 18, 2025
  • Jade Manns + Glenn Potter-Takata: A Shared Evening
    Jade Manns + Glenn Potter-Takata: A Shared Evening
    Miya Shaffer

    A palm resting against each balloon surface, this was a gesture of care, of protection.

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    January 16, 2025
  • On Failing Better: Object Collection’s “Suppose Beautiful Madeline Harvey, an Embodied Homage to Richard Foreman
    On Failing Better: Object Collection’s “Suppose Beautiful Madeline Harvey, an Embodied Homage to Richard Foreman
    Harry Brook

      “Suppose beautiful Madeline Harvey” This single phrase, sometimes a question, always invocation, is repeated by three characters. In altering shapes, the words capture the essence of Object Collection’s Suppose

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    January 16, 2025
  • “The Light and The Dark: The Life and Times of Artemisia Gentileschi” at 59E59 Theatres
    “The Light and The Dark: The Life and Times of Artemisia Gentileschi” at 59E59 Theatres
    Lyla Arazi

    For Kate Hamill, the stage is more than a space for spectacle; it’s a platform for rewriting history, reclaiming agency, and redefining how we see women in both art and life.

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    January 8, 2025
  • Learning to See Los Angeles
    Learning to See Los Angeles
    Andy Horwitz

    Learning to see Los Angeles through the hype and imagining a new civic dramaturgy.

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    January 7, 2025
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