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The Following Evening, A Year Later
In 2024, Talking Band and 600 Highwaymen presented “The Following Evening” at PACNYC. Here are some thoughts after a year’s reflection.
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Ghost Porn by Brendan Drake
Like fear, desire can be excessive, often humorous, and represents a valuable state in itself — a totality of the sensation in which personal and social histories persist, and new insight can emerge.
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“hope organ” takes on politicizing shame and dance synesthesia
Which I think says something meaningful about fantasy; materials become less messy and people become more one-dimensional and places become infinitely reachable and the perfect temperature in our minds.
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“There’s nothing like a fertile misremembrance”: A Conversation with Jerry Lieblich and Paul Lazar on The Barbarians at La MaMa
When I scheduled my interview with Jerry Lieblich and Paul Lazar—in preparation for the latest run of The Barbarians, Jerry Lieblich’s unfurling meditation on rhetoric and power (and the power
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Arriving at The Place Where Healing Can Happen: Stuart B Meyers & Blaze Ferrer in Out-FRONT! Fest.
“Have you been here before?” I heard someone behind me ask, as we climbed the back staircase at Judson Memorial Church. We paused on nearly each stair as the line
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When The Story Lies Between The Steps: Moment to Moment in “The Suite” by Julia Antinozzi
The Suite is by Julia Antinozzi and co-presented by Live Artery | New York Live Arts and Triskelion Arts. Throughout The Suite, a story of requited yet restrained love unfolds
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A Very Serious Unserious Dance and Some Rigorous Instructions for (Queer) Joy?
Theo Armstrong describes some cool moves and asks Noa Rui-Piin Weiss and Miranda Brown some silly yet probing questions after seeing !!simon says~~!:));)$$ Presented as part of the Out-FRONT! Festival
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Reckoning without Redress, jill sigman/thinkdance, Re-Seeding (Encounter #4: The Seamstress) in Pioneers Go East Collective’s Out-FRONT Fest
In a moment characterized by decay, destruction, and despair, it feels peculiar to find oneself in a place characterized by warmth, communion, and creativity. Out-FRONT! Fest., a week-long program of
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Jade Manns + Glenn Potter-Takata: A Shared Evening
A palm resting against each balloon surface, this was a gesture of care, of protection.
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On Failing Better: Object Collection’s “Suppose Beautiful Madeline Harvey, an Embodied Homage to Richard Foreman
“Suppose beautiful Madeline Harvey” This single phrase, sometimes a question, always invocation, is repeated by three characters. In altering shapes, the words capture the essence of Object Collection’s Suppose
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“The Light and The Dark: The Life and Times of Artemisia Gentileschi” at 59E59 Theatres
For Kate Hamill, the stage is more than a space for spectacle; it’s a platform for rewriting history, reclaiming agency, and redefining how we see women in both art and life.
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Learning to See Los Angeles
Learning to see Los Angeles through the hype and imagining a new civic dramaturgy.
